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HAHA.

HAHA.

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snaps7:

snapslikethis:

queernymphadora:

snapslikethis:

riversnogs:

riversnogs:

That moment in your childhood when you realize that Diagon Alley is just the word diagonally….

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And the Mirror of Erised is just the word desire backwards.

Didn’t even realize. Does that mean Knockturn Alley is nocturnally (dark/night)?

Yes, and Grimmauld Place is a play on grim old place. 

DUDE.

And Dumbledore is just a dumb old door

(via harryfuckingpotter)

Source: riversnogs
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guardianmusic:

THIS IS WHAT HAPPENS WHEN JESSIE WARE AND ROMY FROM THE XX COLLIDE

A rather wonderful mix of thundering kick-drum samples, sleek echoey vocals and a that woeful guitar sound that The xx have coined. Jessie Ware’s album couldn’t drop fast enough at this point.

Jessie’s hitting the road for nine intimate shows in the UK, US, Europe and Canada this autumn, so head to her site to toss your name in the ballot for a ticket.

Source: SoundCloud / JessieWare
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toastoat:

PUT THAT THING BACK WHERE IT CAME FROM OR SO HELP ME

(via kingsleyyy)

Source: toastoat
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hitsvilleuk:

With a guitar line to rival Bowie’s “Let’s Dance”, La Roux’s longtime coming second album Trouble In Paradise kicks into high gear. Anthemic and groovy, the opening track “Uptight Downtown” is symptomatic of the entirety of Elly Jackson’s newest record. Since the 2009 self-titled debut, Jackson has parted ways with the second half of La Roux, producer Ben Langmaid, though five of the nine songs on “Trouble In Paradise” were co-written by Langmaid. 

The result is a tropical, surfy and synthy pop album with near enough nine pop classics. Lyrically, the songs deal with failed and painful relationships: “Cruel Sexuality” touches, obviously, on the topic of sexuality, and comes to a massive synthpop conclusion as Jackson sings “oh, you keep me happy in my everyday life/why must you keep me in your prison at night?” and the first track from the album we heard, “Let Me Down Gently” is about letting go being the best thing to do. 

Sometimes the songs feel as though they’re missing a layer, there’s often a sparse feeling too the production and it’s not clear if it’s intentional until “Paradise Is You”, a wonderfully airy song with just percussion, piano and synth pads until it breaks through the other side with a bright but shrill pad that channels’ various 80s indie bands as Jackson’s vocals layer over themselves over and over. Though it is executed perfectly in this case, sometimes “Kiss And Not Tell”feels a little uninviting and as though it’s not quite ready to be a pop song. It’s splendidly retro, roland synths bouncing through guitar bits and xylophones on”Tropical Chancer”. Jackson’s voice too, feels upgraded particularly on this track and certainly departs from the self-titled album’s more high end vocals.

In truth, it’s disappointing that Trouble In Paradise is so short - at just nine tracks long it feels like Jackson had ideas upon ideas for this record and it’s a shame that this isn’t a double album, so greedy am I for more of the same. The instantly catchy “Silent Partner”feels lifted straight out of the ’80s with its chorus and harmonised vocals. Of course, lead single “Let Me Down Gently”almost deserves a review of its own - a brilliant synth pop classic from start to finish, stripped down to synths and vocals and growing until there’s a saxophone solo - the true hallmark of a pop classic. While Elly Jackson’s influences seem to stretch across the entire discography of the 80s, the album is most certainly modern in execution of ideas and it’s good that there are some months left of the summer to soak this album up. 

Source: hitsvilleuk
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